Most Excellent Weirdness of You (Carmichael/Kienle) (Peter's Tuning)

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This arrangement uses some of the example snippets presented earlier. The B-section needs to lock in with the drums. Especially where the hands switch from treble side only to both sides. The cadenza in the middle of the piece is really mostly improvised and keeps changing. All I wanted to write down were a few ideas. For a live performance I like to display a bit of showmanship by playing with one hand only while wiggling my other hand in the air.

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